Blood circus discography download

Darren Neuroleptick. Jonny Taylor. David Willemsen. Luk LeChuck. Mr TonyDeff. Woolly Mammoth Sound. A Jewel Caterpillar. Otodolo XS.

JEvFB Beckman. Mister Shifter. Benjamin Chapin. Sam Hagley. Tim M. George Ruddle-Hellier. Nick Street. M Norr. Purchasable with gift card. Blood Orange cassette with bonus track only on the tape. On-body printing, in a clear case and full colour insert. Sold Out. Blood Circus Busy Day Koyla Rhythm Gamma Jupiter Loops Never Again by EyeBawl. Gritty garage punk from Wilmington, Delaware has a super classic "Girls in the Garage" sound.

Creeper by Brenda. Horizons by Fotoform. A pair of gutsy indie rock songs from Adelaide outfit running joke that are as hooky as they are bone-brittle.

On her latest record, Lillie West considers the way the self is constructed. Bandcamp Album of the Day Oct 12, The Chicago duo marries post-punk and indie-pop sounds on their charming debut release.

Bandcamp Daily your guide to the world of Bandcamp. No matching results. Explore music. Get fresh music recommendations delivered to your inbox every Friday. Daniel Bouweraerts. Sully Holmes. Jerry Lewis. Carpenter even manages to hearken back a bit to Wild West saloon burlesque on "Escape From the Big House", a saucy and slow number that gets a surprising ending of nonsensical lyrics courtesy DJ Hazard more name-dropping below.

These are also about the only vocals on the album save for sporadic moaning and unintelligible rants. Carpenter clearly has strong and broad connections throughout the music industry, as evidenced by the many guests appearing on all his albums. Considering Carpenter now calls music-rich Cambridge, Massachusetts home it's not surprising he managed to nail down such highly-accomplished and professional accompaniment.

But sideman pedigree aside, Carpenter's clear love of fun and well-crafted music shines through from start to finish. I'd love to say this is a masterpiece but it's not. It is forty-five minutes of highly energetic, very well-played and enthusiastic fun music though, and about as far removed from cookie- cutter pop as you might think possible. For that Brian Carpenter and his mad, merry henchmen deserve both kudos and thanks.

I was going to say this is a two-star album for collectors only , but really if you haven't heard these guys this one will prime your pump for the much more complex and grandiose works that would follow. If you do know the band, this is a great glimpse into where they came from. Either way it's hard to imagine you'll regret shelling out the few bucks this one will set you back, so three stars and a hearty, belly-laugh recommendation to check them out.

Review by JLocke Prog Reviewer. Altogether, it makes for a wonderful way to begin the album. Not a bad track, but it's sounds half-finished, and almost serves as a precursor to a much stronger song, ''Petrified Man'', that will come later on.

The title track is also the longest one, and it is a very good ballad, full of soaring strings and choir vocals. It's one of the many high points on the record, and certainly cannot be missed. It almost sounds like it was composed for a film. It basically consists of jumping, bubbly violins, and could serve as a decent intro to something bigger, but just when you think it's going to move into a new direction, it ends.

In my opinion, a song that doesn't even need to be there, and it drags the complete album experience down a little. It sounds very similar to track number two, but is clearly a development of the theme, and a very enjoyable listen, if you ask me.

Again, a very southern-y song, but much better than your typical country fare. Probably the funniest track, full of goofy, over-the-top vocal styles and musical patters.

At the same time, very exciting and just a lot of fun. Make particular note of the high-pitched hooting and hollering in the style of a traditional hoedown flanking the tubas and trombones of a big band. It opens up with some funky banjo and ends with classical violins. Soon enough, though, harmonica and electric guitar join in as well as upright bass for a very nice meeting of the styles. This track isn't very long and is instrumental.

Unlike the''CLouds Moving In'' track, however, it isn't filler. I really enjoy it. The deep, gravelly vocal stylings of Carpenter mirroring the wailing, frantic strings is the brightest spot in this track for me.

Of course the other instruments serve their purposes as well.