Dumbass santa bass download

This track is a powerful mixture of dubstep drums with 8 bit chiptune synthesizers. It features an exciting and motivating melody, gets you ready for a fast ride or battle. The track evolves and becomes a musical wall of unified synth sound, playing the main theme. Powerful and nostalgic. Can fit well into a video game theme or a retro style animation with a modern touch. Positive funk with urban breakbeat drums, slap bass, funky guitars and rhodes.

Great for TV, hipster advertisement and hip background music. It's cross style track consisting elements of pop, ambient and orchestral music. Drum and bass groove is in hip-hop style. Piano, harp, woodwinds performed in classical style, and ambient pad. Intelligent, inspiring, energetic and futuristic. This is groovy atmospheric drum n bass track with the dynamic and warm sound. Main instruments are drums kit, synth, piano, bass and synth pads.

Beautiful background music for corporate use and other multimedia projects. Deep sound of the music that a stream makes played on piano with a rolling string, drum and bass backing. Uplifting feelgood summery track, featuring piano lead and funky modern dnb groove. A smooth, uptempo driving track. Positive and inspirational modern light music in corporate style.

Easy and beautiful choice for any of your videos and presentations. Emotional piano and jungle-bit. Made with love for people. Drum and bass, often abbreviated as DnB, is best described as a type of electronic music defined by fast breakbeats usually between and BPM , heavy bass and sub-bass lines, often combined with synthesizers. DnB derived from breakbeat hardcore, a genre made popular by the s UK rave scene. DnB takes its influences from many musical genres, including reggae and dub, spanning a number of subgenres itself, such as breakcore, jungle, hardstep, darkstep, neurofunk, liquid funk, and sambass.

The history of DnB music stars as early as , when the breakbeat rave scene welcomed a type of music that toned down the heavy sampling and hardcore effects, leaving room for more bassline. Back then, a major influence was reggae music, which brought to the light a subgenre called hardcore jungle.

Another subgenre, darkcore, also emerged during the early s, with songs being heavily infused with dark-themed samples from horror movies, as well as synthesizer notes, pitch shifting and time stretching. Both of these subgenres are considered precursors of drum and bass and helped popularize the genre. Around , many jungle producers started moving away from the genre and started creating what is now know as drum and bass. As the name recalls, the most important elements of DnB music are drum elements and bass elements.

For drum elements, early pioneers of the genre used Akai samplers and sequencers, creating their tracks on the legendary Atari ST computers. The Roland TR drum machine was also used for its kick drum. The bassline of DnB songs is perhaps the most important element of the genre, deep sub-bass music lines being physically felt when listened to on powerful sound systems. The DnB genre still remains relatively underground, with only a small number of record labels dominating the scene.

Jungle DnB, or simply jungle, hit mainstream success in the early s, being a recognizable element of the youth subculture back then. Those who listened to jungle called themselves junglists, with many songs using the term, or calling the audience jungle soldiers. Artists that heavily influenced the jungle drum and bass scene are King Tubby, Lee Perry, Mad Professor and Bob Marley, an influence that can be observed even today, with jungle being one of the most popular subgenres of DnB.

Many DnB songs today still feature ragga vocals. Sign In. Solid dance grooves and bass lines intertwine with often filtered vocals and synthesizers that have a horror vibe and contribute to the now recognizable terror sound. Dj Umek is a Slovenian DJ recognized by techno and tech-house fans of the world. He says that his early productions are not only full of mistakes, but most of them are mistakes.

Either way, all this chaos of mistakes seems to have been arranged in a way that sounds quite new and fresh. Umek is always on the look for new sounds.

The lyrics of the song itself are also ahead of the time and could very easily be applied to current standards of beauty and human preoccupation with them. Remember that the text was written long before the arrival of the selfie generation, so that Umek, in addition to being called a visionary in terms of music, can also be seen as a critic of social phenomena before they even appear.

South African producer Chee is know for his unique, hybrid, and experimental sound. This does not mean that his sound is worse or of lower quality. On the contrary, using fewer sounds, Chee has managed to find a formula that makes his songs sound out of this world. Given the praise he has received in recent years, many seem willing to invest in him Deadmau5 and follow his work. With the progression of a heavy beat and even heavier growl-synths, he unleashes an off-beat funky sounding bass masterpiece that we love to hear.

Through years of experimenting in production, Chase and Status have gone through all possible subgenres. The proof is this cooperation with Irah, through which they managed to show that not even the elements of the jungle are foreign to them.

Their tracks full of drums, explosive bass, and relentless rhythm are often complemented by collaborations with vocalists. And that role seems to be something that the guys from Chase and Status like and enjoy. Either way, we are certainly looking forward to such collaborations that remind us that there is still a jungle rhythm alive somewhere. His production is recognizable. Drums passed through a whole bunch of the filters reveal an obsession with the sound of a needle dancing on a gramophone record.

His basslines are heavy, but at the same time gloomy and mysterious, thus creating an almost rainy atmosphere. Although his production skills are completely different from a modern electronic-music musician, Burial managed to spread his influence on a whole new generation of producers making liquid and, popularly called chill-out music.

Not many people saw this one coming. Virtually, there is absolutely nothing that Skrillex and The Doors could have in common. Not to me, of course, but to this modern masterpiece. Each of its sounds is a separate whole and very easily isolated. Slightly lower, velvety, at the same time penetrating and gentle voice of the Dutch-Iranian singer, wins you over already after the first bars of the collaboration.

A slightly psychedelic interplay of super clean percussion, strong kick, and muted synthesizers, accompanies us through just over three minutes of this casual and relaxed collaboration. I wish it was longer. Nalestar produces music for the everyday listener who, while performing regular daily tasks, likes to hear the rustling in the background. The First Station was born in the wrong country.

The Russian producer stands out from all bedroom producers in terms of quality, but he still failed to make a sufficient step forward for the listeners to recognize his work. The First Station has a unique musical expression that unites elements of deep-house, Brazillian Bass, trance, and the ever-present Trap. Perhaps the answer also lies in the fact that he is not too interested in turning to Western markets. His works are marked by excellent vocals, and he often uses elements of classical music to create the almost trance fused atmosphere and sound of the early s.

All of this is accompanied by great progressive synths and sound effects that make his works one of the better ones on this list. In my opinion, this is easily one of the best bass songs out there. The Hungarian duo, in collaboration with compatriot Metrush, created one of the more interesting songs last year that somehow went under the radar. It is very likely that the audience accustomed to their previous works under the dome of the progressive house did not react most deftly to the somewhat more serious expression created by this collaboration.

But either way, StadiumX has shown that they are not afraid to step out of their comfort zone and I think that they should do it more often. Perfectly arranged layers of different synthesizers create an atmosphere that, as it usually happens, is brought to the boiling point by a bunch of snares. The progressive melody at the very center of the song, great modulated bass, deserves a lot more views than they have.

All in all, this is one of the best bass drop songs out there. NF is currently one of the most popular and listened to rappers. He is a great lyricist who is special perhaps mostly because he does not use the curse words we are used to in the rap scene. His texts are suitable for all age groups, which is his greatest strength. For this reason, his work is appealing to younger audiences better said their parents.

His instrumentals are one of the most sought after on the internet. The combination of trap music with elements of classical instrumental music, choir samples, and vocals reminiscent of Eminem is a pretty good formula if you ask me. The San Diego based producer, Abraham Laguna, was one of the first pioneers of the mass transition from house and dubstep music to trap production.

The song was definitely marked by a section led by a great riff played on the saxophone. Also, the bass line, although very simple without too much modulation, did a superb job of giving the festival character to this song. Although he has been a little less active lately, Fabian is still considered as one of the kings of the emerging trap movement. The song is not a festival trap hit. Fabian realized something that many producers did not, and that is the trap is not the new Dubstep and can be consumed in different ways.

Ambient Corporate Playful. Inspiring Rising Orchestral Piano - 30 Sec. Boris Skalsky. Inspiring Classical Happy Cinematic. Minimaline: Forest Before The Rain. Relaxing Serious Classical Ambient. NEW Perfect Wave. Oleksii Abramovych. Joyful Ride 20 Seconds. Simon Jomphe Lepine. Feel You Again. Enrico DeLucia. Humans Win formerly Lance Conrad. Dark Sad Cinematic Epic. Amber Waldron. James Gaither.

Corporate Epic Cinematic Inspiring Classical. On The Road. Adrian Berenguer. Folk Rock Epic Inspiring Blues. NEW Hollywood Trailer. Cinematic Serious Epic Playful Electronic. Low Tides. Marshall Usinger. Love Cinematic Happy World. Hurt Me. Sleeping Ghost. What's eating you, boy? Hermey: holds up a book of dentistry Well, we need one up here. I've been studying.

It's fascinating. You've no idea. Molars and bicuspids and incisors. Head elf: Now, listen, you. You're an elf, and elves make toys. Hermey tries to get off the table before his boss stop him Not for you! Finish the job, or you're fired! All of other elves leaves the workshop, leaving Hermey tearfully continue to work and grabs back his dentistry book. I am not just a nitwit. You can't fire me, I quit! Seems I don't fit in.

Sam the Snowman: Ah, well. Such is the life of an elf. Meanwhile, Rudolph is having his growing pains, too. Old Donner is determined to keep Rudolph's nose a secret. Rudolph: Oh, but, Daddy! Donner covers a dirt to Rudolph's nose It's not very comfortable! Donner: There are more important things than comfort: self-respect.

Santa can't object to you now. Rudolph sadly walks outside where its snowing. He strips off a dirt from his red glowing nose. Just because my nose glows. Why don't I fit in? Sam the Snowman: And so time passes. Christmas comes and goes on schedule, and soon it is April, when all the new fawns come out with their folks Donner: Now, don't worry about your nose, son. Just get out there and do your stuff. Remember, you're my little buck. Rudolph walks off just he came across another fawn of his age.

Fireball: To the reindeer games. Makes antlers grow. Besides, it's a great way to show off in front of the does.

Come on. Sam the Snowman: Ah, youth. Meanwhile, the elves are bustling with activity. Christmas is over, but they still keep busy with lessons in elf improvement.

Clause sitting on their throne chairs. Head elf: voice change OK, Santa. And remember, it's for Santa. And a-1 and a-2 and a We are Santa's elves We are Santa's elves. Filling Santa's shelves.

With a toy for each girl and boy. Oh, we are Santa's elves. Do the things you should. And we bet you he won't forget you. We are Santa's elves. The boss elf gets up and continues conducting. Ho ho ho, ho ho ho We are Santa's elves, ho ho! Claus: in disbelief What does Papa know? It's beautiful.

You keep it just the way it was. Head elf: normal voice; angry No! That sounded terrible! The tenor section was weak. Hermey: to a doll Now this won't hurt a bit.

Head elf: Just fixing-- Now, listen! We have dolls that cry, talk, walk, blink, and run a temperature. We don't need any chewing dolls. Head elf: You'll never fit in! A dentist! Good grief! Hermey: angry to himself Well, who do you think he is?

I just can't. It's like he said: I'll never fit in. I have better future in mind. I'll show them. And I'll show him. Fireball: to Rudolph Hey look! Rudolph turns to see three group of young does about one of them with a head bow Hey, what did ya know? One of them likes ya. Coach reindeer: to the fawns who are talking All right. All right, yearlings. All right, now! My name is Comet. Even though I'm your instructor, I want to be your pal.

My job is to make bucks out of you. So let's go. We all want to pull Santa's sleigh someday, don't we? So we must learn to fly. Now, who's first to try? One at a time! You're Dasher's little boy, aren't you?

You go first. Comet: All right now. The whole trick is getting up enough speed and jumping into the wind. You got it? Go ahead. He pops out from a water as he is inside the ice cube, still alive. Rudolph: Gee, I got to go back. Rudolph: joyfully jumps and begins to float up to the air for his first flight; to himself I'm cute!

I'm cuuuuute!! Rudolph: I'm cute! I'm cute! She said I'm cuuuuute!! Santa Claus: Donner, you should be ashamed of yourself. What a pity. He had a nice takeoff, too. Comet: blows a whistle to all the fawns All right, all right now, yearlings. Back to practice. Not you. You better go home with your folks. From now on, gang, we won't let Rudolph join in any reindeer games, right? Clarice: No. I think it's a handsome nose, much better than that silly false one you were wearing.

Clarice: But that's what makes it so grand. Why any doe would consider herself lucky to be with you. Believe in your dreams, come what may. There's always tomorrow with so much to do. And so little time in a day. We all pretend the rainbow has an end. And you'll be there, my friend, someday.

There's always tomorrow for dreams to come true. Tomorrow is not far away. Clarice's father: There's one thing I want to make plain: no doe of mine will be seen with a red-nosed reindeer! Hermey: Well, I want to be someday. Right now, I'm just an elf. And you can call me Hermey. What's yours? Rudolph: Yeah, my nose always glows red like this. Everybody laughed at me and call me names. Hermey: Oh, tsk, tsk, tsk, tsk. That's sounds harsh of you. No wonder you decide to run away like this.

Well, I ran away too, away from other elves. But I don't need anybody. I'm independent. Rudolph: both shakes hands It's a deal. And glad you didn't make fun of my nose. Hermey: Why would I make fun of your nose? I say your nose are wonderful and colorful too. We're a couple of misfits. What's the matter with misfits?

That's where we fit in. Don't go round willy-nilly. Seems to us kind of silly. That we don't fit in. Who decides the test of what is really best? I'm a dear of a reindeer. They can't fire me, I quit! Hermey: speaking; grabs his dentistry book from his back Simple. Take a look, I learned through day and night with my trusty book about dentistry.

My father, gave me this when I was young. This book is what had me changed to make a perfect living by becoming a dentist, to check everyone's teeth to see if they're healthy. That's the only way to be an elf that no other elves can do outside just making toys. You see, making toys is just nothing else more but my very dull thing to do year after year. Nobody are not quite founded over my long-time passion, even with the head elf won't give me a chance.

Hermey: You have no idea how much you feel that way, by being stuck in only one job, if you were Santa's elf. So that's the point that I decide to quit from my toy-making job and go out seek my fortune. Hermey: Well, you with me. You and I can live our fame and fortune.